From the reports of Shawn Lee, who plays my brother in the production and was on stage with me at the time, my knees buckled and I staggered back a few steps. I stood for a second trying to shake off the blow thinking, “Well, I know I have a monologue here that I’m supposed to do, but I’m not sure I can remember it.” I just decided to plow ahead. I’m pretty sure I dropped a few lines and made up a new one or two new ones, but I didn’t stop. At some point I felt a warm sensation on my face and was worried I might be bleeding, so I reached up to make sure everything was okay. When I did, my hand stopped at least an inch before it should have because my eye had almost instantly swollen to about the size of half a golf ball. My main concern was to keep the audience from realizing I’d been hurt and being taken out of the play. I tried to keep the left side of my face away from the audience as I launched into a huge fight scene. It’s quite and intense fight, which I won’t spoil here, but I’ll just say it involves some rather large sporting equipment clashing together at high, dangerous speeds. Somehow I made it through. I kept checking for blood, and noticed all the crew in the wings was gathering to peek on stage to see the injury. After the fight there is only one scene left, at which point I was hoping the audience would think I’d done some sort of amazing quick change into some crazy swollen eye makeup.
At curtain call, I smiled bigger than I’ve ever smiled because I still didn’t want the audience to know what had happened. Reports from those in the audience that had seen the show before and from the booth were that it was one of the best endings we’d had to the play. I heard that there were whispers of, “The lead guy just got hurt,” but apparently not everyone knew. The playwright was in the audience and didn’t notice (nor did he notice that I forgot parts of my monologue), and the people in the booth running lights and sound didn’t notice either.
The picture above was taken three days after the accident on Monday so it actually looked worse than that on Saturday when Variety was in the audience. In fact, it looked so bad that there wasn’t much I could do to cover it up. Luckily, in part of the storyline for the play, my character has recently been attacked in a random act of violence, so we were able to just go with the fact that the attack happened sooner than we were originally playing. I heard from a few long time Furious fans, though, that they were surprised that we had such a “fake looking makeup job.” And according to the Variety review, they were none the wiser.
Well, those are my two back-to-back eye stories. Feel free to laugh at my pain, but for the sake of my eye, BE FURIOUS.
Original post by Eric Pargac
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